Print, packaging & retail
Catalogues, packaging, point-of-sale, lightboxes and large format. Pre-press, colour profiles and die-lines handled before it reaches the printer.














































Melissa Viana is a Melbourne senior graphic designer with 20+ years of campaigns, catalogues and packaging for brands like Clarks, Campari, SACHI and, most recently, Gingerlilly. The same eye now ships as social video, motion and AI-assisted content.
Brand campaigns, catalogues and packaging for Australian marketing teams, plus the digital and social work that now runs alongside them.
Catalogues, packaging, trade, events and social, indexed like a job bag. Hover a row to preview it, click to open the gallery.
Two decades on press taught colour, hierarchy and deadlines. Those habits now carry across every surface a brand lives on, from a shelf wobbler to a six-second Reel.
Catalogues, packaging, point-of-sale, lightboxes and large format. Pre-press, colour profiles and die-lines handled before it reaches the printer.
Reels, TikToks, paid social and eDM. Cut, animated and reframed for each platform from a single campaign idea.
Firefly and Nano Banana for concept routes and image extension, Photoroom for product cut-outs, ChatGPT for briefs and copy drafts. Melissa picks the route and builds the final artwork.
Real Gingerlilly ads, each cut for where it runs. Pick a campaign, and switch between the formats it ran in.
AI tools speed up the exploring. The decisions, the type, the colour and the finished file still come from 20 years of knowing what works on a shelf and in a feed.
ChatGPT to sharpen the brief, map the audience and draft headline routes.
Firefly and Nano Banana for mood boards, concept routes and extending imagery past the crop. Photoroom for fast, clean product shots.
Pick the strongest route, then art-direct and rebuild it in Photoshop, Illustrator and InDesign.
Print-ready artwork with correct colour and bleed, or video cut for each platform and spec.
All creative direction, design decisions and final execution remain entirely mine.
Adobe Creative Cloud daily for two decades, with motion, prototyping and AI tools added as briefs changed.
In-house and agency roles across fashion, footwear, FMCG, property, retail and resources, most recent first.
Get in touch to talk through a project, a campaign or a senior role. Melbourne-based, working with teams across Australia.